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Petula on the British Stage: Variety and in Concert - The 1950s

The Fan Archive proudly presents a comprehensive and continually evolving record of Petula's variety and concert appearances throughout the 1940s and beyond. Meticulously compiled from our extensive collection of theatre programmes, flyers, press clippings, photographs, and promotional materials, this listing offers an unparalleled glimpse into Petula's early stage career in variety and in concert.

Presented here are highlights from the Fan Archive's extensive trove of vintage materials.

No other fan-led resource provides this level of detail, accuracy, and archival richness. Each entry reflects the dedication of archivists and enthusiasts who have pieced together Petula's performance history with care and precision. This living database serves as both a tribute and a research tool, an invaluable reference for fans, historians, and scholars alike.

If you have additional information, images, or memorabilia that could enrich these pages, we warmly invite you to contribute via our About page.

Petula's ascent to stardom began with an extraordinary gift for entertainment that emerged in her formative years. Her talent for mimicry quickly captivated radio audiences, laying the foundation for a flourishing career across film, television, and the recording industry. Her uncanny impersonations of stars like Rose Murphy, complete with a pitch-perfect rendition of "Busy Line", and the ever-animated Danny Kaye became signature elements of her variety act, delighting audiences well into the 1950s.

By the early part of that decade, Petula had become one of Britain's most sought-after film stars, a fixture in the schedules of producers from stage to screen. As this database reveals, Petula's tireless work ethic and magnetic appeal made her a mainstay on variety bills across the country. Her popularity soared during summer seasons, where she consistently headlined shows and drew enthusiastic crowds.

Unlike many of her contemporaries, Petula's personal appearances at Rank theatres were more than mere promotional stops. She sang, she charmed, and she connected, eschewing the standard format of scripted Q&As for genuine performance. As The Stage noted in 1952, "Petula Clark is a worthy successor to the great artists of past music hall fame. Her act is full of such natural charm and vivacity that it seems entirely spontaneous, and, after hearing so many other British vocalists singing with pseudo-American accents, her clear enunciation in good round English vowels is indeed refreshing. Her choice of songs provides something of interest for all members of the audience, and her impressions have a high degree of veracity."

In an era of polished personas, Petula Clark stood out as the golden girl of British entertainment: beloved, versatile, and unmistakably herself.

This archive is extensive, you'll be scrolling for quite a stretch to uncover the full sweep of Petula's 1950s appearances. It's a deep dive into a decade of dazzling performances. Enjoy!

In 1950, Petula's schedule was packed solid, performing non-stop throughout the year with only a single day off to celebrate her 18th birthday. A true testament to her rising star power and tireless dedication. Notice published in The Stage

1950s Stage Chronicle:

London Palladium - 1 January 1950

Ted Heath and His Music kicked off the new year with a dazzling Swing Session, hosted by Paul Carpenter. The star-studded lineup featured Petula, Tito Burns, Terry Devon, Alan Dean, Kenny Baker, Ken Thorne, Ralph Sharon, Charlie Short, Johnny Dankworth, Nat Temple, Pete Chilver, Jack Parnell, Tommy Whittle, Jackie Armstrong, and Dickie Valentine, an unforgettable night of big band brilliance and variety talent.

Gaumont, Holloway, London - 2 February 1950

The Gaumont Holloway marked its thirteenth anniversary with a celebratory stage performance featuring Petula, whose appearance proved to be a highlight of the evening. The following day, North London Press praised her performance, noting:

"Petula Clark also scored a big hit in her 'personal.' Her singing of 'Galway Bay' was just as polished as her impersonation of Danny Kaye's 'Dinah.' Pet is certainly versatile, and to add good measure she cracked a few gags with easy confidence."

The eyes have it! A young fan's wide-eyed expression says it all as he helps Petula navigate an autograph request. One of many charming moments captured by the cinema manager's box camera during the Gaumont's unforgettable anniversary week.

Gaumont Wolverhampton and Walsall - 6 February 1950

Petula's personal appearances at Rank theatres were a refreshing departure from the norm. While many stars simply stood before a microphone and answered routine questions, Petula sang, performed, and truly connected with her audiences, earning widespread acclaim.

Her visit to Wolverhampton was no exception. A newspaper advert in the Wolverhamton Express and Star announced her arrival in advance: "Miss Clark will arrive at Wolverhampton Low Level Station at 11.40 a.m. on Monday." That day, she met with the Mayor and Mayoress at Wolverhampton Town Hall, where she was photographed signing autographs for fans. Alongside her Town Hall and cinema engagements, where Petula's latest film "The Romantic Age" was showing, Petula also made a special visit to the Goodyear factory, adding yet another memorable stop to a day filled with charm, energy, and genuine connection.

To explore Petula's theatrical stage appearance in Sauce for the Goose (February 1950), visit our Theatre section.

Winter Garden, Eastbourne - 3 March 1950

The Winter Garden played host to a sparkling evening of dance and cabaret, featuring special guests Petula Clark, actor Jimmy Hanley, and film director Victor Hanbury. Petula delighted the audience with a set of six popular songs, accompanied by Joe Henderson on piano, adding her signature charm to an unforgettable night of entertainment.

Advert excerpt from the Eastbourne Gazette

Tonic Cinema, Bangor, Ireland - 9 April 1950

Heralded as "The Show of the Year," this spectacular charity concert lit up the Tonic Cinema with an evening of entertainment and goodwill. Hosted by the lively Harold "Wot a Geezer" Berens, the event featured standout performances from Petula Clark, Chris Gill, and James Young, drawing a delighted crowd and raising spirits in true variety style.

Odeon Theatre, Southend-on-Sea - 19 May 1950

The Southend Carnival Association rolled out the red carpet for a glittering Midnight Matinee, produced by Dorothy Elliott and hosted by the charismatic Dirk Bogarde. The star-studded lineup featured Reg Dixon, Petula Clark, and Sam Costa, delivering a late-night showcase of top-tier entertainment that lit up the seaside stage.

Winter Gardens, Bournemouth - 24 May 1950

An evening of exceptional talent unfolded at the Winter Gardens, where impresario Harold Fielding presented a stellar lineup. Petula Clark shared the stage with Bruce Boyce, the acclaimed baritone; Derek Collier, a rising star of British violin; Emilio, the virtuoso accordionist; and the ever-versatile Peter Sellers. A night of music, charm, and variety that left audiences thoroughly enchanted.

Original promotional flyer, carefully archived and scanned from the Fan Archive Collection

New Opera House, Blackpool - 25 June 1950

Harold Fielding brought together a stellar cast for a vibrant evening of variety at the New Opera House. Headlined by Lee Lawrence, Petula Clark, and The Arnaut Brothers, the concert showcased a rich mix of talent. Audiences were also treated to performances by Danny Walters and the Concert Orchestra, Douglas Maynard, Edith Lewin, Mackenzie Reid, and Dorothy, making for a truly memorable night on the Blackpool stage.

Inner pages of the show programme

Winter Gardens, Bournemouth - 23 July 1950

A lively variety programme headlined by Petula, joined by Sadler's Wells duettists Valetta Lacopi and Ronald Hill. Also featured were Jack Byfield, Max Jaffa, and Reginald Kilbey, familiar faces from the B.B.C. favourite Melody Mixture.

Gaumont Cinema, Hammersmith - 24 July 1950

Petula made a special personal appearance to promote her new film Dance Hall, performing a lively 20-minute set that included Danny Kaye-style renditions of Minnie the Moocher and Dinah, the then-new American ballad Bewitched, and a heartfelt delivery of This Is My Mother's Day. Her performance was met with a rousing reception from what Petula fondly described as a "simply marvellous audience."

According to reports from the Acton Gazette and West London Post, local police were called in to help manage the crowd as Petula was surrounded by enthusiastic fans, many rushing forward with autograph books and programmes in hand. For the occasion, she wore an elegant evening gown of white tulle adorned with guipure lace, paired with a delicate string of cat's eye shells from Fiji. Archival photographs from the evening show Petula arriving at the Gaumont with her father, Leslie Clark, and graciously signing an autograph for one of her youngest admirers.

Pier Theatre, Eastbourne - 30 July 1950

The first in a new series of Sunday concerts devised by Walter Fellows, this evening's programme featured Petula, supported by members of The Star Wagon Company. Image: Original newspaper advert from the Eastbourne Chronicle.

New Opera House, Blackpool - 27 August 1950

Presented by Harold Fielding, this star-studded concert featured Erik Ogden with the Concert Orchestra, The Hedley Ward Trio, Enso Toppano, Frank Cook, and Allan Jones. Petula Clark, billed as "Britain's Leading Juvenile Star of Screen, Radio and Television", delighted audiences across two evening performances at 6:20 and 8:15 pm.

Gaumont Palace, Chester – 28 August 1950

Over 2,000 eager fans filled the theatre to welcome Petula, joined by a throng of autograph seekers and photographers. Following a reception in the theatre restaurant, Petula took to the stage to thunderous applause. For her set, she introduced a charming theme: "something old, something new, something borrowed, something blue." Her selections included the nostalgic If You Were the Only Girl in the World and Silver Dollar, a borrowed rendition of Rose Murphy's Busy Line, delivered with uncanny accuracy, and Blue Moon to complete the quartet.

Accompanied by pianist Joe Henderson, Petula responded to the audience's enthusiasm with a series of spirited impersonations, delighting the crowd with tributes to Danny Kaye (Minnie the Moocher), Carmen Miranda, and Lena Horne. According to the Birkenhead News, each impression was performed with remarkable ease and precision. Her standout moments included a Cockney-styled interpretation of This Is My Mother's Day and a playful take on I've Got a Lovely Bunch of Coconuts.

To close the evening, Petula theatrically drew a spray of cream and red roses from her gown and scattered them into the audience, prompting a lively scramble in the stalls as fans rushed to claim a keepsake. Her appearance coincided with the screening of her latest film Dance Hall, and she was warmly received by the Mayor, Mayoress, and Chief Constable. Her father, Leslie Clark, was also present to escort her.

Photographs from The Birkenhead News and Chronicle capture Petula being warmly received by the Mayor and Mayoress, with Ethel Paddy also invited for a personal meeting.

White Rock Pavilion, Hastings - 3 September 1950

Petula Clark headlined the evening's programme, joined by Kathleen Stobart, celebrated as Britain's foremost lady saxophonist and her orchestra, featuring vocalist Franklyn Boyd. Shown here: cover and inner page from the original programme, preserved in the Fan Archive Collection.

South Parade Pier, Southsea - 10 September 1950

The final instalment in the celebrity concert series featured Petula Clark as the headline act, supported by Eugene and The Augmented Concert Orchestra, Ann Trevor, and John Moore. Two performances were held at 3:00 pm and 7:30 pm. Featured images from the Portsmouth Evening News, now carefully preserved in the Fan Archive Collection.

Pier Theatre, Eastbourne – 17 September 1950

Walter Fellows presented the eighth instalment in his popular Sunday concert series, headlined by Petula. Supporting acts included Sandy Powell, Tommy Godfrey, Norman Meadows, Betty Benson, Michael Wayne, Hazel Dorling, and Reg Moore.

As reported by the Eastbourne Gazette, "the concert ended in a blaze of glory" with Petula Clark and Sandy Powell taking centre stage. Petula, already a familiar face from film and radio, showcased her vocal versatility and gift for mimicry, with a particularly convincing impression of Rose Murphy. She was accompanied on piano by Joe Henderson.

Odeon Theatre, Barking, Essex – 1 October 1950

Petula appeared alongside The Squadronaires and trumpeter Joan Hinde in a lively concert programme. Her set featured favourites from her repertoire, including Blue Moon, This Is My Mother's Day, and a spirited rendition of Busy Line in the distinctive style of Rose Murphy.

Gaumont, North Shields - 16 October 1950

Petula officially opened the newly refurbished Gaumont Theatre, formerly the Princes Theatre, on Russell Street, North Shields. For fifteen captivating minutes, she held the 1,000-strong audience in the palm of her hand with a performance that blended comedy and pathos.

As reported by the Shields Daily News, Petula sang "in a tuneful voice… with tones amazingly deep for one so small," delivering a spot-on impression of Rose Murphy and closing her miniature cabaret with a charming monologue. She invited the audience to sing along and, in a final flourish, scattered red and white carnations into the crowd.

Following the national anthem, Petula joined the Mayor, Mayoress, and civic dignitaries in the audience. "I have visited many cinemas," she told the crowd, "but this is the first time I have ever had the honour of opening one. I shall always think of the Gaumont as my own special theatre." She was accompanied by her father, Leslie Clark.

Note: The cinema was later converted into a bingo hall operated by Beach Bingo, which ceased trading in 2019. Today, the building stands empty.

Images: Petula at the opening ceremony, admiring the Mayor of Tynemouth's chain of office. For the occasion, she wore a white off-the-shoulder evening gown with netted skirts and a shaped bodice, trimmed with pink and gold sequins and cinched with a narrow silver band. Elbow-length gloves and a pearl-and-gold neck ornament completed the look, topped by a black velvet opera cloak worn on arrival. Also shown: the original newspaper advert announcing the grand re-opening, as featured in the Shields Daily News.

Winter Gardens, Margate - 22 October 1950

Organised by film star Jack Warner, this grand all-star charity concert raised £200 in support of the Broadstairs War Memorial Fund and the Thanet Squadron of the A.T.C. The programme featured Petula, Jeanne de Casalis, Margaret Eaves, Bennett & Williams, Walter Midgeley, and Bill Kerr, with compering duties shared by Eric Barker and Jack Warner. Image from the Thanet Advertiser and Echo, preserved in the Fan Archive Collection.

Harringay Arena, London – 5 November 1950

Presented by Francis S. Gentle, Music For Millions filled the 10,000-seat Harringay Arena with a vibrant programme led by Geraldo and His Concert and Dance Orchestras. Petula appeared as the principal guest star, joined by performers Nadia Dore, Eve Boswell, and the Hastings Girls' Choir.

As reported in The Stage, "a large and enthusiastic number of devotees of music in the modern style" gathered for the event. Highlights included Gershwin's Rhapsody in Blue, with Sidney Bright as solo pianist, and vocal selections from Eve Boswell and Nadia Dore. Petula, described as "a great favourite," was warmly received for her renditions of Mighty Like a Rose and The Golden Haired Boy in the Valley. The Hastings Girls' Choir, under the direction of Edmund Niblett, also delivered a series of well-received selections.

Images: the programme cover and inner pages, preserved in the Fan Archive Collection.

The Pier Ballroom, Eastbourne – 10 November 1950

Petula captivated a 500-strong audience at the Film Stars' Ball, organised by the Eastbourne Comrades Football Club in support of club funds. Held at the Pier Ballroom, the evening saw Petula deliver a sparkling 40-minute set accompanied by pianist Joe Henderson, performing popular favourites of the day and earning six enthusiastic encores.

Actor John Blythe was also in attendance, assisting with a Dutch auction and various competitions. Dancing followed, led by Norman Petchey and His Orchestra.

Images: Petula photographed being welcomed by the Mayor, as featured in the Eastbourne Gazette, alongside the original newspaper announcement promoting her appearance.

Gaumont State, Kilburn - 12 November 1950

Part of the popular Sunday Night concert series, this lively programme featured The Hazy Osterwald Sextet, Eddie Arnold, Petula Clark, Rex Ramer, and the Deep River Boys, with Robinson Clever at the organ. Two performances were held at 5:15 pm and 7:45 pm. Images: Programme cover, inner pages, and promotional advert, all carefully preserved in the Fan Archive Collection.

St George's Hill Tennis Club, Weybridge - 17 November 1950

Petula was among several celebrities attending a charity ball and cabaret held in support of the Guinea Pig Club, an organisation of 500 Allied airmen who underwent pioneering plastic surgery at East Grinstead during the Second World War. Petula headlined the star-studded cabaret, helping to raise over £500 for the cause, equivalent to approximately £15,000 today!

Regal Edmonton, London - 19 November 1950

Petula appeared in a varied concert programme alongside Joe Loss, Sonny Farrar, and Semprini. Joe Loss, one of Britain's most celebrated dance band leaders, brought his signature orchestral style to the evening, featuring popular swing and ballroom numbers that had made his ensemble a household name. Sonny Farrar, known for his smooth vocal delivery, added a touch of crooning charm to the bill. Semprini, the distinguished pianist and radio personality, offered classical and light music selections with his usual elegance.

Petula's own set included favourites from her repertoire, performed with Joe Henderson at the piano, rounding out a programme that blended dance, melody, and star appeal.

Trocadero, London - 26 November 1950

As part of the fortnightly Sunday Evening at The Troc concert series, Petula Clark and Ted Heath and His Music headlined a lively programme at the Trocadero Cinema. In addition to her musical performance, Petula took part in a special civic moment, officially opening a new arts centre in the venue's main hall.

Photograph show Petula posing with South London art students following the inauguration of their exhibition, held within the newly unveiled space. Also featured: programme cover insert, preserved in the Fan Archive Collection.

Commodore Theatre, Hammersmith – 10 December 1950

A grand charity concert was staged in support of the Metropolitan and City Police Orphans' Fund, drawing a distinguished line-up of performers. Among the featured artistes were Jack Warner, Petula Clark, Jon Pertwee, Bill Kerr, Janet Hamilton Smith, John Hargreaves, Tony Hancock, and Hubert Gregg. Musical accompaniment was provided by Chris Stone and His Concert Orchestra, with Molly Forbes, well known as a broadcasting organist, also appearing.

Gaumont, Lewisham - 7 January 1951

A lively Popular Sunday Concert brought together Eric Winstone's Orchestra with Julie Dawn, Leslie Howard, Roy Marsh, The Stage Coachers, Harry Robbins, Petula, and Bill Kerr. Petula was billed as Britain's number one teenage star of films, radio, and television, adding marquee appeal to the evening. Audiences enjoyed two performances at 5:15 and 7:45 p.m. This concert was advertised in the Lewisham Borough News, offering a snapshot of the local entertainment scene at the time.

Theatre Royal, Leeds – 21 January 1951

Petula headlined the 37th annual charity concert in aid of the Leeds Jewish Board of Guardians, held at the Theatre Royal. The event raised an impressive £4,700, around £125,000 in today's terms! Reported in The Yorkshire Post.

Queens Hall, Burslem - 3 February 1951

Richard Todd, Petula Clark, and Derek de Marney were among the distinguished guests at the North Staffordshire Cinema Ball, held at Queens Hall, Burslem. The evening featured performances by Ralph Gethie and His Orchestra, The Squadronaires, and Syd Millward and His Nitwits. Enhancing the cabaret programme were appearances by Betty Driver, the Sensational Cottas, and the Six Parisian Can-Can Girls. Widely promoted as the region's premier social event of the year, the occasion drew considerable attention. A photograph published in the Staffordshire Weekly Sentinel captures the Lord Mayor and Lady Mayoress flanked by Richard Todd, Petula Clark, and Derek de Marney.

Theatre Royal Drury Lane, London - 4 February 1951

Organised by the Merely Players Society in support of theatrical charities, this grand event featured a cast of over 250 distinguished artistes, including Petula. The occasion was advertised in The Kensington News and West London Times, reflecting its scale and significance within the London theatrical calendar.

Odeon, Rotherham - 6 February 1951

Petula Clark and Derrick de Marney made personal appearances at the Odeon, Rotherham, drawing local attention. The event was advertised in The South Yorkshire Times and Express, with the original newspaper clipping now carefully preserved in the Fan Archive Collection.

De Montfort Hall, Leicester - 18 February 1951

Presented and compered by Barry Wood, this star-studded evening featured Petula as the principal attraction, accompanied by Joe Henderson at the piano. The programme also included performances by Ken Morriston, Tommy Packham, June Birch, Bernard and Barry Johns, Joe Keeley, Harry Farmer, and Billy Kinton (also at the piano). Devised and produced by Barry Wood, the event showcased a rich variety of talent. The original newspaper advertisement and programme are carefully preserved in the Fan Archive Collection.

Winter Garden, Eastbourne - 13 May 1951

Presented on Whit Sunday in the Floral Hall of the Eastbourne Winter Garden, this Harold Fielding concert featured Petula as the headline act, accompanied by Joe Henderson at the piano. The celebrity programme also included Jan Muzurus (singing star of Knights of Madness), Felix Vandyl (the distinguished Polish violinist), Adela Kotowska, and Carroll Gibbons (Soft Lights and Sweet Music).

The Eastbourne Gazette praised Petula's performance:

"A large audience showed their appreciation of the talented artistes at the Whit Sunday concert in the Winter Garden. Petula Clark, petite, fresh and charming, sang a variety of numbers which included, as she said, 'Something old, something new, something borrowed and something blue.' The 'borrowed' item was a clever imitation of Rose Murphy, the 'chi-chi' girl, and for something old, Petula chose 'The Tennessee Waltz,' which has now swung back into top-line popularity."

Similarly, the Eastbourne Chronicle noted:

"Heading the bill of a special Harold Fielding concert was gifted and versatile Petula Clark, already, at 18, a leading star in films, radio and television. She sang several songs most charmingly, and it was easy to see why she is so popular."

Images from the Fan Archive Collection include a newspaper advert from the Eastbourne Gazette, a flyer, and the souvenir programme cover and inner page.

Odeon, Southend - 10 June 1951

Presented by Harold Fielding in collaboration with the Southend-on-Sea Music Club, this concert featured Petula, billed as Britain's Number One Teen-Age Star of Film, Radio and Television, as the headline act, accompanied by Joe Henderson at the piano. The programme also included Semprini, offering "old ones, new ones, loved ones and neglected ones"; Gilbert Harding, who engaged the audience in a lively quiz; Jan Muzurus, the singing star of Knights of Madness; and Freda Parry and Her Ladies' Choir, performing selections from Those You Have Loved. An original flyer from the event is carefully preserved in the Fan Archive Collection.

Odeon, Newcastle - 6 July 1951

Petula made a personal appearance at the midnight matinee screening of her latest film White Corridors, held at the Odeon, Newcastle. She entertained the audience with a 15-minute performance, adding a live sparkle to the cinematic occasion.

Odeon, Bradford and Leeds - 10 July 1951

While in Yorkshire for personal appearances at the Odeon Cinemas in Leeds and Bradford, Petula made a surprise visit to St. James's Hospital, Leeds. Her arrival delighted patients and staff alike, especially the children she took time to speak with.

Among those she met was 11-year-old Elaine Rowley of Salisbury Road, Leeds, recovering from burns. When asked if she had heard Petula sing, Elaine replied with a shy "Yes." Twelve-year-old Clifford Riches of West Dale, Boston Spa was more forthcoming: "Of course I have," he said, proudly naming several songs Petula had performed on the radio.

A recording of Petula's appearance at the Odeon, Leeds, was expected to be relayed to patients at the hospital the following day, a touching gesture that extended the joy of her visit beyond the cinema stage.

This story was originally reported in The Yorkshire Post, and a recording of the Leeds appearance is believed to exist, its whereabouts remain a tantalising mystery for fans and archivists alike!

Odeon, Lancaster and Morecambe - 13 July 1951

As part of her promotional tour for the release of White Corridors, Petula appeared at the Odeon theatres in Lancaster and Morecambe, where packed houses and enthusiastic crowds greeted her warmly.

"The audiences cheered to the echo after each song," reported the Lancaster Guardian & Observer. "The clamorous demands for her autograph proved how thoroughly she had won the hearts of the people."

During her visit, Petula was photographed surrounded by Lansil factory workers in Lancaster, shaking hands with Marjorie Savage, celebrated locally as the Industrial Savings Queen. Another image captures Petula with four nursing cadets, who, along with ambulance cadets, formed a guard of honour at her personal appearances in both towns.

Throughout the evening, Petula performed a selection of songs that delighted audiences and added a personal touch to the film's promotion. Coverage appeared in both the Lancaster Guardian & Observer and the Morecambe Guardian, preserving the moment in local memory.

Odeon, Acton, London - 16 July 1951

Petula made another personal appearance at the Odeon, Acton, where her latest film White Corridors was being screened. During the event, she was presented with a bouquet of pink, white, and red carnations by Ann Glover, a first-time probationer nurse from Acton Hospital, captured in a photograph published by the Acton Gazette and West London Post.

Petula delighted the audience with a five-song set, including Would I Love You and Girls Were Made to Take Care of Boys, and surprised attendees with a playful impersonation of Rose Murphy, the "chi-chi" girl.

As she was leaving, Petula turned to Ann and said warmly:

"Here you are Ann, take these flowers back to the hospital for some of the patients and give them all my love."

Image shows Petula with real life probationer nurse Ann Glover

Winter Gardens, Margate - 22 July 1951

In a special one night only engagement staged by Harold Fielding, Petula headlined a star-studded concert at the Winter Gardens, Margate. She was joined by an all-star supporting company, making the evening a highlight of the summer season. The event was advertised in the East Kent Times, capturing the excitement surrounding Petula's appearance.

Astoria, Old Kent Road, London - 30 July 1951

As part of her promotional tour for White Corridors, Petula made a personal appearance at the Astoria, Old Kent Road. During the visit, she met with six wounded servicemen from the Chessington rehabilitation centre, offering a warm moment of connection.

Petula was also introduced to six "backroom" girls from London film offices, as well as several London ambulance workers, recognising the contributions of those behind the scenes and on the front lines. Among the dignitaries present were the Mayor and Mayoress of Camberwell, Councillors Mr and Mrs Manning, who joined the gathering to welcome Petula.

Astoria, Streatham, London - 31 July 1951

In her penultimate personal appearance promoting White Corridors, Petula took to the stage at the Astoria, Streatham. She was formally introduced to the Mayor and Mayoress of Wandsworth, along with a group of 30 nurses from Lambeth Hospital, adding a civic and compassionate note to the evening's proceedings.

From the Astoria stage, Petula performed six songs and delighted the audience with impersonations of Judy Garland and Rose Murphy, showcasing her versatility and charm.

A newspaper cutting photograph carefully preserved by the Fan Archive Collection and originally published in The Streatham News captures Sylvia Kerry presenting Petula with a bouquet, as the Mayor and Mayoress of Wandsworth and Astoria House Manager Mr. Nick Crossley look on.

Odeon, Camberwell, London - 31 July 1951

Marking the final stop in her series of personal appearances for White Corridors, Petula visited the Odeon, Camberwell. In attendance were nurses from King's College Hospital, Camberwell, alongside local civic dignitaries, adding a formal and heartfelt close to her promotional tour.

Battle of Flowers, Jersey - 2 August 1951

Petula led the grand cavalcade of Jersey's annual floral festival, the Battle of Flowers, in a vibrant display captured in a British Pathe newsreel. Following the parade, she made a personal appearance at the Opera House, where she captivated a packed audience with a 20-minute performance accompanied by Mr. Will Fyffe at the piano.

Her set featured what she affectionately described as her "bridal selection," "something old, something new, something borrowed, something blue," with songs including Somewhere Over the Rainbow, My Resistance Is Low, Chi-Chi, and My Blue Heaven. The audience's enthusiastic response led to an encore, for which Petula performed This Is My Mother's Day.

A photograph from the event shows Petula driving through the arena atop a decorated float, while a newspaper advert from The Evening Post documents the occasion.

Royal Hall, Harrogate - 18 October 1951

Petula joined a glittering line-up of stars at the Gaumont and Odeon Managers Convention, held at the Royal Hall, Harrogate. Her visit was brief but memorable, arriving in the afternoon, attending a formal dinner, performing with Billy Ternent and his band, and departing on the midnight train back to London.

The evening's cabaret, compered by John Blythe, was a grand affair, with performances by Jack Warner, Petula, and Anthony Steel entertaining a packed audience. Photographs from The Yorkshire Observer and The Yorkshire Evening Post capture Petula alongside Anthony Steel and Jack Warner, preserving the glamour of the occasion.

Odeon, Twickenham - 18 November 1951

A special charity concert was held at the Odeon, Twickenham, in support of the Metropolitan Police Widows' and Orphans' Fund. The evening featured performances by Jack Warner, Petula, and Renee Houston, drawing a warm and appreciative audience. Coverage of the event appeared in The Weekly Dispatch, highlighting the star-studded lineup and the cause it supported.

Royal Hall, Harrogate & Leeds Town Hall - 9 December 1951

Petula appeared at both the Royal Hall, Harrogate, and Leeds Town Hall on this date, with the events previewed in the Yorkshire Evening Post. At the Leeds venue, one enthusiastic fan secured Petula's autograph adding a personal memento to the occasion.

Odeon, Deptford, London - 17 December 1951

Following extensive refurbishment, the Odeon in Deptford reopened to enthusiastic crowds who lined the streets to welcome Petula. She was greeted by the Mayor and Mayoress of Deptford, Councillor and Mrs. Umpleby, and took to the stage bearing warm greetings from Alec Guinness and Valerie Hobson.

After receiving a bouquet, Petula delighted the audience with a selection of songs from her film and television repertoire. She also entertained with lively impersonations of Rose Murphy and Judy Garland, all performed under a rose-pink spotlight that added a touch of theatrical elegance to the evening.

De Montfort Hall, Leicester - 17 February 1952

A richly curated evening of variety, produced, devised, and compered by Barry Wood, unfolded in a triple-star programme that brought together some of the finest talents of the day. Among them: Ken Morriston, the celebrated television concert accordionist; Phillips–Knowles, radio's beloved lyrical tenor; Archie Lewis, the distinguished British West Indies vocalist and former star of Geraldo's Orchestra; and Marjorie Moon, television's versatile xylophonist.

A young Petula graced the bill alongside the Harold Smart Quartet, led by Britain's foremost swing organist, and George Smithson at the piano, completing a lineup that blended charm, virtuosity, and post-war optimism.

Newspaper adverts from the Leicester Mercury and pages from a fan-obtained autographed programme, now carefully preserved in the Fan Archive Collection, offer a vivid glimpse into this memorable night of music and variety.

Alma Theatre, Luton - 9 March 1952

An evening of variety unfolded at the Alma Theatre under the direction of Barry Wood, with Petula headlining the bill, joined by a selection of supporting acts and the spirited accompaniment of Ken Green and His Orchestra.

A newspaper advertisement from the Bucks Advertiser and Aylesbury News, along with a rare photograph capturing Petula mid-performance on the Alma stage, offer a vivid glimpse into this memorable night, when a rising star held the spotlight in one of Luton's cherished venues.

Odeon, Kensington, London - 24 March 1952

In celebration of her latest film The Card, Petula made a personal appearance at the Odeon, Kensington, an event that marked both a cinematic milestone and a moment of musical charm.

The Middlesex Independent & West London Star described her entrance with admiration: "In a pink evening gown gleaming with sequins, the star, who also celebrated her acting 'coming of age' in The Card (she gets a love scene), sang sentimental numbers to the accompaniment of Joe Henderson."

The Kensington News and West London Times added: "She sang a few songs, including 'Too Young' and 'The Little White Cloud That Cried,' accompanied by Joe Henderson, who has been playing for her almost as long as she can remember."

A luminous evening that blended screen and stage, glamour and nostalgia, captured in press clippings and fan memories now preserved in the Fan Archive Collection. Images from The Kensington News and West London Times.

Odeon Temple Fortune, Finchley, London - 25 March 1952

As part of the promotional tour for her latest film The Card, Petula made a further personal appearance at the Odeon Temple Fortune. On this occasion, she performed four songs, accompanied by her longtime musical collaborator Joe Henderson, adding a warm musical interlude to the cinematic celebration.

Palace Theatre, Leicester - 30 March 1952

A glittering charity concert in support of The Korean Comforts Fund, thoughtfully arranged and presented by Richard Attenborough, brought together an exceptional roster of stage and screen talent.

Among the evening's performers were Petula, Frankie Howerd, Jack Jackson, Jimmy Jewell, Teddy Johnson, Harry Locke, Ben Lyon, Brian Reece, Ethel Revnell, Tollefsen, Albert & Les Ward, Jack Warner, and Ben Warriss, joined by The Leicester Choral and Dramatic Society and the Band of the 5th Battalion, Royal Leicestershire Regiment (T.A.).

A newspaper advertisement from the Leicester Mercury and a rare backstage photograph, capturing Petula signing autographs for three members of the Regiment Band, offer a poignant glimpse into this heartfelt evening of entertainment and goodwill.

Odeon, Oxford Street, Manchester - 15 April 1952

Continuing her promotional tour for The Card, Petula made a further personal appearance at the Odeon, Oxford Street, Manchester, bringing a touch of star presence to the cinema's stage.

A newspaper advertisement from the Manchester Evening News marks the occasion, now preserved as part of the Fan Archive Collection, a quiet testament to the charm and dedication behind Petula's early film career.

Odeon, Liverpool - 16 April 1952

In conjunction with her personal appearance at the Odeon, Petula paid a special visit to the Speke Factory of Dunlop Rubber Co. Ltd., as reported by the Runcorn Weekly News. During both lunch breaks, she delighted two packed audiences of factory workers with a spirited set of songs, including Love Mystery and Adventure, Tell Us Why, Shrimp Boats, Blue Moon, and Canadian Capers, accompanied by her longtime pianist, Joe Henderson.

Petula's visit was met with warmth and enthusiasm. She posed for photographs, signed autographs with characteristic grace, and was treated to lunch by the workers, a gesture that reflected the mutual affection between star and audience.

Newspaper advert from the Runcorn Weekly News.

Odeon, Llandudno - 28 April 1952

Petula's arrival in Llandudno was nothing short of a local event. Accompanied by The Card's director Ronald Neame, she was greeted by a jubilant crowd at the railway station, many pressing eagerly through the barriers for a glimpse of the young star. The Chairman of Llandudno Council welcomed her with a bouquet, marking the occasion with civic grace.

On stage at the Odeon, Petula charmed the audience with a selection of songs and expressed her delight at returning, however briefly, to a town she clearly held dear. Later that evening, she met with guests and graciously presented long service awards to members of the Odeon Theatre staff.

A newspaper advertisement from the North Wales Weekly News, along with a photograph capturing Petula with the award recipients, now form part of the Fan Archive Collection, preserving the warmth and ceremony of a memorable visit.

Chichester's Greatest Show - 2-3 May 1952

A festive spirit filled the City's Exhibition Hall as Petula took part in Chichester's grand showcase. On 2 May, she graciously presented prizes and performed for attendees, adding a note of glamour and warmth to the proceedings. The following day, 3 May, Petula returned to officially open the week-long trades exhibition, her presence marking a celebratory start to the city's civic festivities.

Photographs capture Petula in action, presenting awards and performing with poise, while a newspaper advertisement from the Bognor Regis Observer commemorates her role in opening the exhibition, now preserved in the Fan Archive Collection.

Opera House, Blackpool - 20 July 1952

On a summer Sunday at the grand Opera House, Petula took to the stage, sharing the bill with the harmonious vocal ensemble, the Five Smith Brothers.

A newspaper advertisement from the Fleetwood Chronicle marks the occasion, now preserved in the Fan Archive Collection, as a quiet yet memorable entry in Petula's early performance calendar, where variety and charm met beneath the lights of Blackpool's beloved theatre.

Winter Gardens, Margate - 10 August 1952

At the height of summer, Petula headlined a lively programme at Margate's Winter Gardens, sharing the bill with The Tanner Sisters and a host of supporting artistes.

A newspaper advertisement from the East Kent Times heralded the event, while photographs taken just days later capture Petula in a moment of relaxed anticipation as she prepared for a holiday on the Riviera, a graceful pause following a season of spirited performances.

Floral Hall, Scarborough - 22 to 27 September 1952

For six consecutive nights, Petula headlined Harold Fielding's celebrated Music For The Millions presentation at Scarborough's Floral Hall, a showcase of musical variety and post-war sparkle.

Joining Petula on the bill were Cyril Addison (piano), Vic Hammett (Hammond organ), Flotsam (compere), Ann and Bobby Black (Scottish songs and music), Kay Cavendish ("Kay on the keys"), Daisy May and Saveen (billed as "Britain's little sweetheart"), Edmund Donlevy (distinguished opera star), and Frank Cook (from the Golden West).

A newspaper advertisement from The Yorkshire Post and Leeds Mercury, now part of the Fan Archive Collection, captures the spirit of this seaside engagement, where elegance, entertainment, and ensemble artistry came together under one roof.

Streatham Hill Theatre, London - 5 October 1952

A landmark occasion marked the return of live performance to the Streatham Hill Theatre, as it hosted its first concert since the war, a Grand Sunday Concert in aid of The Sir Philip Game Boys' Club.

The evening brought together a distinguished roster of performers, including Winifred Atwell, Petula and her sister Barbara Clark, George Cooper, Delya, Josef Locke, Joy Nichols, Ralph Reader, Edmundo Ros and His Latin American Orchestra, Leslie Welch, George "I'm Not Well" Williams, the Metropolitan Police Central Band, and the "M" Division Police Choir.

Of Petula's performance, the Norwood News observed: "Petula Clark displayed her versatility with songs ranging from the sentimental to an hilarious burlesque of Johnny Ray singing 'Cry'".

A newspaper advertisement from the Streatham News commemorate this spirited evening, one that blended postwar optimism with musical variety and community goodwill.

Chiswick Empire, London - 6 to 11 October 1952

During a lively week of variety at the Chiswick Empire, Petula (with Joe Henderson at piano) appeared alongside Charlie Chester, Rob Murray, the Moxham Brothers, McKenzie Reid and Dorothy, the Four Nordics, Bill Waddington, and Royal and Revere.

Of Petula's performance, The Stage offered high praise:

"Petula Clark is a worthy successor to the great artists of past music hall fame. Her act is full of such natural charm and vivacity that it seems entirely spontaneous… her clear enunciation in good round English vowels is indeed refreshing… Her choice of songs provides something of interest for all members of the audience, and her impressions have a high degree of veracity."

A quietly confident showing that affirmed Petula's place in the lineage of British stage artistry, balancing tradition with a fresh, engaging presence.

Odeon, Leeds - 29 October 1952 & Odeon, Liverpool - 30 October 1952

Petula joined a glittering ensemble of film stars on stage for The Replica Royal Film Performance of Mario Lanza's Because You're Mine, held in support of the Cinematograph Trade Benevolent Fund.

These twin engagements in Leeds and Liverpool brought cinematic glamour to regional audiences, with newsreel footage capturing the occasion's pageantry and star presence. A newspaper advertisement from the Liverpool Echo commemorates the event, now preserved in the Fan Archive Collection as a reflection of Petula's growing stature within Britain's entertainment landscape. The photos showcase both of Petula's stage outfits from the event.

West End Ballroom, Birmingham - 28 November 1952

In the distinguished presence of the Lord Mayor and Lady Mayoress of Birmingham, the Mercury Girl of 1952 event was held at the West End Ballroom. Compered by comedian and actor Eric Barker, the evening featured Petula as its star guest.

Petula took to the stage and performed My Love Is a Wanderer, a newly recorded song at the time, not yet released to the public. The single would later see official release in January 1953.

A photograph from the Birmingham Weekly Mercury captures Petula mid-performance, while the illustrated sheet music cover featuring her image adds a visual flourish to this moment in her early recording career.

The Gaumont, Southsea & The Regent, North End - 15 December 1952

In support of her latest film Made in Heaven, Petula made two personal appearances in Portsmouth on the same evening. She took to the stage at the Gaumont at 7:00 pm, followed by a second appearance at the Regent at 8:15 pm, bringing a touch of cinematic glamour to both venues.

A newspaper advertisement from the Portsmouth Evening News marks the occasion, now preserved in the Fan Archive Collection as a snapshot of Petula's growing presence and popularity in British film and public life.

The Gaumont Theatre & Cafe, Bristol - 1 January 1953

To mark the New Year, Petula made a personal appearance at Bristol's Gaumont Theatre in conjunction with the screening of her latest film, Made In Heaven. As reported by The Bristol Evening Post, "Petula, in a radiant green organza dress, sang four songs to the audience, accompanied by Joe Henderson, her pianist."

Following her performance, Petula joined the theatre's manager, Mr. Thomas, in ceremonially cutting the Gaumont's diamond jubilee cake, celebrating 60 years since its founding, when it was formerly known as the New Palace.

Images from the Bristol Evening Post and a period newspaper advertisement preserve the occasion, capturing both the glamour of the evening and the theatre's proud milestone.

Odeon, Liverpool - 27 March 1953

A distinguished charity stage presentation was held at the Odeon, Liverpool, in conjunction with the gala premiere of The Cruel Sea, in aid of the League of Welldoers. The evening was compered by the ever-charming Douglas Fairbanks, and featured appearances by Anthony Steel, Petula Clark, Leslie Henson, Anne Ziegler, and Webster Booth.

A newspaper advertisement from the Liverpool Echo captures the occasion's sense of civic pride and theatrical glamour, an elegant gathering in support of a noble cause.

Bar B, Woodbrook, Bray - 5 April 1953

Easter Sunday was marked in style at Bar B, Woodbrook, with a festive cabaret dance featuring a special appearance by Petula, proudly billed as "Britain's brilliant young star of Films, Radio and Television."

Newspaper advertisements from The Wicklow People heralded the occasion, capturing the excitement surrounding Petula's engagement and the glamour she brought to this holiday celebration by the sea.

Plaza Cinema, Bedford - 29 May 1953
Newspaper advert from the Bedfordshire Times & Standard

Nuffield Centre, London - 3 July 1953

A spirited evening unfolded at the Nuffield Centre with The Frankie Howerd Show, featuring a distinguished line-up that included Frankie Howerd, Margaret Rutherford, Petula Clark (accompanied by Joe Henderson at the piano), Maran Covell, and Lee Young.

Petula's set drew from her Something Old, Something New repertoire, offering a charming blend of familiar favourites and fresh selections. Her rendition of Cry, the popular hit by Johnnie Ray and The Four Lads, was delivered with emotional clarity and stage presence, adding a contemporary note to an evening steeped in variety tradition.

Winter Gardens, Morecambe - 27 July to 1 August 1953

Presented twice nightly at 6.15 and 8.30, the All-Star Variety Show graced the stage of the Winter Gardens with a glittering line-up led by Petula, accompanied by Joe Henderson at the piano. Joining her were Jimmy James, Johnson Clark, Raydini, Jimmy Jeff and June, Tommy Reilly, Gold & Cordell, and Don Philippe and Marta, a week of entertainment steeped in variety tradition.

During her stay in Morecambe, Petula also lent her presence to the National Bathing Beauty Contest, serving as judge alongside Jimmy James. A photograph from the event captures Petula and Jimmy with the contest winners, while newspaper advertisements from the Lancashire Guardian and Observer and The Visitor commemorate both the theatrical engagement and the seaside festivities.

Finsbury Park Empire, London - 10 to 15 August 1953

A spirited Variety Special graced the stage of the Finsbury Park Empire, led by Petula, accompanied by Joe Henderson at the piano. The bill featured a lively ensemble including Kim and Pam Lewington, Wood and Jarratt, The Malcolm Mitchell Trio, Oswinos, Charles Warren and Jean, Eddie Gordon, Tommy Reilly, and Alan Chive, a week of entertainment steeped in charm and variety tradition.

Of Petula's performance, The Stage wrote with affectionate admiration:

"The pleasantly balanced variety bill here this week is headed by Petula Clark, the charming young lady who so delightfully personifies most people's idea of what the ideal kid sister should be… She has, too, a very pleasant singing voice, considerable histrionic ability, and, above all, a sincerity that endows all she does with an integrity that is most endearing… When she sings… 'I Believe,' it is possible to believe that she really does."

A performance imbued with warmth, clarity, and quiet conviction, Petula's presence at the Empire offered audiences a glimpse of a rising star whose sincerity and stagecraft was winning hearts.

Ocean Theatre, Clacton Pier - 30 August 1953

A lively Variety Special unfolded at the Ocean Theatre on Clacton Pier, with Petula Clark headlining the evening's entertainment. The programme was compered with genial charm by Gordon Norville, and featured performances by The Westway Girls, Billy O'Sullivan, Cliff Martell, Wally Dunn, Joyce Russell, and Bill Maynard, with Dennis Plowright at the piano.

The programme cover and inner pages from the event have been carefully scanned and preserved by the Fan Archive Collection. These materials document Petula's appearance at the Ocean Theatre, Clacton Pier, as part of a variety performance typical of British seaside entertainment in the early 1950s.

Finsbury Park Empire, London - 10 to 15 August 1953

A week-long Variety Special at the Finsbury Park Empire was headlined by Petula, joined by Chan Canasta, the pioneering mentalist whose innovative approach to magic would soon make him television's first celebrity magician.

A newspaper advertisement from the Kensington Post documents the engagement, reflecting the blend of musical charm and psychological intrigue that defined this distinctive bill.

Pier Pavilion, Worthing - 6 September 1953

Petula appeared at the Pier Pavilion accompanied by Joe Henderson at the piano, performing alongside the Worthing Municipal Orchestra and Arthur Wayne.

Of her appearance, The Worthing Gazette observed:

"Worthing had a taste of real personality when Petula Clark held the stage for nearly half an hour… An almost capacity audience enjoyed her lilting songs and were touched by her sadder numbers… A great hit with the audience was the song from South Pacific, 'Some Enchanted Evening'."

Meanwhile, The Worthing Herald offered a glimpse behind the scenes:

"In her dressing room before the second half of the show, Petula confided, 'I hope they like me. Worthing seems to have had such a highbrow selection of guest artists before me.'"

Judging by the warm applause that followed each number, her hopes were more than fulfilled. Among the highlights was her comedic rendition of So You Want to be a Film Star, which proved especially popular with the audience.

Newspaper advertisement from The Worthing Herald, preserved here and in the Fan Archive Collection.

Marlborough Theatre, Holloway, London - 5 October 1953

Petula made a personal appearance at the Marlborough Theatre in honour of its 50th anniversary. As guest of honour for the occasion, she delivered a brief speech from the stage and took part in the ceremonial presentation of a celebratory cake.

Following the formalities, Petula delighted the audience with a selection of songs, accompanied by her pianist Joe Henderson, adding a musical flourish to the theatre's golden jubilee.

To explore Petula's theatrical stage appearance in The Constant Nymph (February 1954), visit our Theatre section.

Theatre Royal, Portsmouth - 10 to 15 May 1954

Petula headlined a well-rounded variety programme at the Theatre Royal, presenting a selection of her popular song successes with Joe Henderson at the piano. Performances were held twice nightly at 6.30 and 8.45, drawing appreciative audiences throughout the week.

Sharing the bill were comedian Benny Hill and the celebrated music hall trio Wilson, Keppel & Betty, whose famed "sand dance", a humorous homage to Ancient Egyptian imagery, remained a highlight of British vaudeville tradition.

Image: Newspaper advertisement from the Hampshire Telegraph and Post, preserved in the Fan Archive Collection.

Odeon Theatre, Llandudno - 27 June 1954

A one-night Variety Presentation at the Odeon Theatre was compered by Robinson Cleaver, featuring Petula as the evening's principal star, accompanied by Joe Henderson at the piano. Also appearing were The Marden Girl Singers, Sonny Farrar, and Ronnie & Jack, offering a well-rounded programme of vocal and comedic entertainment.

The programme cover and inner pages from the event have been carefully preserved and form part of the Fan Archive Collection, documenting Petula's continued presence on the British variety circuit during the early 1950s.

Whiteley's Department Store, Bayswater - 3 July 1954

Petula made two personal appearances in the record department of Whiteley's, performing selections from her popular repertoire at 11.45am and again at 3.00pm. She was accompanied by Joe Henderson at the piano, adding a familiar musical touch to the occasion.

Following her performances, Petula graciously signed records for eager fans. A photograph from the Middlesex Independent & West London Star captures the moment, Petula smiling warmly as young autograph seekers gather around her.

Winter Gardens, Margate - 8 August 1954

A Variety Special at the Winter Gardens was headlined by Petula, joined by The Leslie Wheeler Quintette, Tommy Reilly, Bert Weedon, and The Welcome Singers. The evening drew a full house, with The East Kent Times and Mail describing the concert as "an outstanding one," noting that the capacity audience left "more than satisfied with the excellent musical programme provided."

Petula, already a seasoned performer at just 21, was warmly received as she stepped onto the stage in a lilac ballerina-style gown with a blue underskirt. Her set of popular favourites concluded with a graceful rendition of At the End of the Day, described as both "appropriate and charming."

Images include the inner pages of the programme and a newspaper advertisement from the Kentish Express, preserved in the Fan Archive Collection.

Odeon Theatre, Llandudno - 22 August 1954

A one-night Variety Special at the Odeon, Llandudno, was headlined by Petula, joined by a well-rounded supporting cast including Edwards and Dare, Harold Yates, Rosina and Eirlys Hughes, Robinson Cleaver, and Ribton and Richards.

A newspaper advertisement from The North Wales Weekly documents the engagement, reflecting the continued popularity of Petula's live appearances across Britain's regional theatres.

High Pine Club, Weybridge - 11 December 1954

Petula made a personal appearance to open an Empire market jointly organised by the Oatlands, St. George's Hill, and Weybridge Conservative Association. Held at the High Pine Club, the event exceeded financial expectations and drew a lively crowd.

Petula performed two songs to mark the occasion, accompanied by Joe Henderson at the piano, and offered warm wishes for the market's success. The venue was bustling, with stalls displaying a range of attractive goods and numerous volunteers assisting throughout the day.

Reported in The Surrey Advertiser and County Times.

King's Hall, Belfast - 1 April 1955

A Gala Variety Show was held at the King's Hall in support of the Glencraig Curative Schools, drawing an audience of 4,500. The programme featured a distinguished line-up including Eddie Calvert, Derek Roy, Petula Clark, Geraldo and His Concert Orchestra, Sid and Max Harrison, Eunice Gayson, The Kordites, Eddie Parker, the Six Royal Command Girls, and The Belfast Girl Singers.

Petula's performance was warmly received. The Belfast Newsletter praised her "delightful selection of popular songs" and noted her "very nice sense of comedy," while The Belfast Telegraph remarked:

"Lovely Petula Clark sang her way into the hearts of the audience, and was the hit of the evening."

Newspaper advertisements from Ireland's Saturday Night and The Belfast Telegraph document the occasion, now preserved in the Fan Archive Collection.

The Orchid Ballroom, Purley - 5 April 1955

A Police Ball was held at the Orchid Ballroom, featuring personal appearances by Richard Murdoch and Petula, adding a note of distinction to the evening's festivities.

A newspaper advertisement from The Reporter and Advertiser records the engagement, reflecting Petula's continued popularity across civic and social events during the mid-1950s.

Gaumont State, Kilburn - 12 June 1955

A Super All-Star Concert, presented by Hugh Scotland, brought together a distinguished array of performers at the Gaumont State. Headlining the evening was Petula, accompanied by Joe Henderson at the piano, alongside Ronnie Harris, Derek Roy, Spike Milligan, Teddy Foster, Danny Arnold, Jerry Harris, Don Cockell, Freddie Mills, and The Treble Tones Vocal Group.

The event is documented through surviving ephemera, including programme pages, a promotional flyer, and a newspaper advertisement, all preserved within the Fan Archive Collection, offering a vivid snapshot of mid-century British variety at its most spirited.

Wellington Pier Pavilion, Great Yarmouth - 26 June 1955

A Celebrity Concert at the Wellington Pier Pavilion was headlined by Petula, joined by Alfred Swain and the Pavilion Concert Orchestra under the direction of Randall Topping. The event formed part of the summer season's musical offerings along the Norfolk coast.

Images preserved in the Fan Archive Collection include the programme inner pages, as well as a charming photograph from the Coventry Evening Telegraph showing Petula building sandcastles on the beach during a break in rehearsals, capturing both the spirit of the seaside and the light-hearted grace of Britain's famous star of stage, screen and radio.

De Montfort Hall and Gardens, Leicester - 2 July 1955

An All-Star Celebrity Concert was staged at De Montfort Hall as part of the International Cooperative Day celebrations. The programme was headlined by Petula, accompanied by Joe Henderson at the piano, offering a musical highlight befitting the occasion.

Featured in the day's advertisement was the proud billing: "See and hear Britain's own Petula Clark," a fitting tribute to her growing stature as a national favourite.

The New Opera House, Blackpool - 3 July 1955

An All-Star Celebrity Concert, presented by Harold Fielding, graced the stage of the New Opera House with two performances at 6.20 and 8.15pm. The distinguished bill featured Hoagy Carmichael, Petula Clark, Erik Ogden and the Concert Orchestra, Ken Morriston, The Stargazers, and the celebrated piano duo Rawicz and Landauer.

The evening offered a rich blend of musical sophistication and popular charm, reflective of Blackpool's summer season at its most resplendent.

Hippodrome, Brighton - 11 to 16 July 1955

A week-long Variety Special graced the stage of the Brighton Hippodrome, with performances twice nightly at 6.15 and 8.30pm. The programme was headlined by Petula, accompanied by Joe Henderson at the piano, and supported by a lively ensemble including The Hippodrome Orchestra, Lee Traversos, The Kordas, Albert Burdon, Cherry Wainer, Billy Russell, Max and Harry Nesbitt, The Yolandas, Albert Burdon & Company, and Tony Fayne & David Evans.

Images from the inner pages of the programme offer a charming glimpse into the week's entertainment, now preserved in the Fan Archive Collection.

Winter Gardens, Margate - 17 July 1955

A Variety Special at the Winter Gardens was led by Petula, accompanied by Joe Henderson, joined by Kenway & Young, Victor Seaforth, and a fine array of supporting artistes. The evening offered a lively programme of music and comedy, continuing the venue's tradition of seaside entertainment at its most spirited.

Images preserved in the Fan Archive Collection include an advert from the preceding week's production and a newspaper announcement from The East Kent Times and Broadstairs Mail, capturing the anticipation surrounding Petula's return to Margate.

Winter Gardens, Weston-Super-Mare - 31 July 1955

Petula appeared as special guest in Trevor Brooks' Band Show, accompanied by Joe Henderson at the piano. The evening drew extraordinary public interest, with The Stage reporting that over one thousand hopeful attendees were turned away from the capacity house.

Such was the enthusiasm of the crowd that Petula required police assistance to exit the theatre, temporarily retreating to an ante-room before graciously signing autographs for those assembled. Upon her departure at 11 o'clock, following a meeting with the mayor, an estimated 4,000 admirers had gathered outside, prompting further police protection. The theatre manager remarked that in his thirteen years at the venue, he had never witnessed scenes of such fervour.

Opera House, Blackpool - 7 August 1955

Presented by Harold Fielding, this Four-Star Concert was staged for two performances only, featuring an illustrious line-up: Al Martino, Petula Clark, Kay Cavendish, and The Radio Revellers.

A newspaper advertisement from the Lancashire Evening Post proudly billed Petula as "Britain's Own", underscoring her growing stature as a cherished figure in the nation's musical landscape.

Buckingham Palace, London - 11 August 1955

At the annual garden party hosted by the Not Forgotten Association, held within the grounds of Buckingham Palace, some 500 disabled ex-servicemen from across the country were warmly received for an afternoon of entertainment and camaraderie.

A specially arranged Variety Show was presented in honour of the guests, with performances by Elizabeth Larner, Tudor Evans, Petula, Dickie Henderson, Alfred Marks, Francis Taylor, and Gerald Del Mondi. Their contributions were met with heartfelt appreciation, adding a note of grace and gaiety to a most distinguished occasion.

Opera House, Blackpool - 2 October 1955

Presented by Harold Fielding, this distinguished Concert Engagement featured two performances at 6.20 and 8.15pm. The programme included Erik Ogden and the Concert Orchestra, Jackie Allen & Barbara, The Ken-Tones, Camilleri, Petula (accompanied by Joe Henderson at the piano), Harriott & Evans, and Eddie Calvert.

Images from the inner pages of the programme, now preserved in the Fan Archive Collection, offer a charming glimpse into the evening's musical offerings and the elegance of Blackpool's autumn season.

R.A.F. Camp, Litchfield - 17 December 1955

In the spirit of Christmas, Petula led a festive entertainment programme for 150 children at the R.A.F. Camp in Litchfield. Her performance included charming renditions of The Little Shoemaker, Rudolph the Red-Nosed Reindeer, and Suddenly There's a Valley, delighting young audiences with both song and sentiment.

Following the concert, Petula graciously assisted in the distribution of Christmas presents, adding a personal touch to a heartwarming occasion. A photograph from the Litchfield Mercury captures the moment, now preserved in the Fan Archive Collection.

London Palladium - 19 to 31 March 1956

Presented by Val Parnell, The British Record Star Show played twice daily at 6.15 and 8.45pm, with a Saturday matinee at 2.40. The production was introduced by the ever-genial Tommy Trinder, and featured a glittering array of talent.

Guest appearances included The London Palladium Orchestra under the baton of Eric Rogers, The George Carden Dancers, Trio Rayros, Malcolm Vaughan, Petula, Kenny Baker, The Stargazers, Winifred Atwell, Ravic & Babs, Alma Cogan, David Whitfield, and George & Bert Bernard, culminating in a full company finale.

Images from the Fan Archive Collection include the programme cover and inner pages, a ticket stub, and a newspaper advertisement. Rehearsal photographs capture Petula Clark alongside Alma Cogan and Winifred Atwell, while another shows Petula in her dressing room on opening night, poised and radiant, ready to take the stage.

Whately Hall Hotel, Banbury - 27 April 1956

A Grand Buffet Dance was held to mark the opening of the newly appointed Hornton Bar and Lounge Hall at the Whately Hall Hotel. The evening's festivities were graced by Petula, who formally opened the venue before taking to the stage.

According to The Banbury Advertiser, Petula enchanted the crowded ballroom with a selection of her popular hits, including Memories Are Made of This, The Little Shoemaker, Suddenly There's a Valley, and Some Enchanted Evening. Her performance was described as captivating, owing much to her natural charm and stage presence. Her accompanist, Mr Joe "Piano" Henderson, was also warmly received, earning prolonged and well-deserved applause.

Photographs from the occasion show Petula cutting the ceremonial ribbon, as well as promotional material from The Banbury Guardian and The Banbury Advertiser, now preserved in the Fan Archive Collection.

Whiteley's, Queensway, London - 5 May 1956

As part of Whiteley's Birthday Week Celebrations, marking 93 years since the store first opened its doors, Petula delighted a packed crowd with a special performance upon the grand marble staircase. She was accompanied by her esteemed pianist and arranger, Joe "Mr. Piano" Henderson, whose presence added a flourish of musical charm to the occasion.

A commemorative photograph captures Petula alongside Mr Adams (Merchandise Manager), Mr Linton (Managing Director of Whiteley's), and Mr Henderson, reflecting the celebratory spirit of the day. Archival materials include a newspaper advertisement from the Kensington News and West London Times, and a photograph published in the Middlesex Independent and West London Star, now preserved in the Fan Archive Collection.

Carlton, Slough - 18 June 1956

Newspaper advert from the Reading Standard

Winter Gardens, Morecambe - 2 to 7 July 1956

Presented twice nightly at 6.15 and 8.30pm, this Variety Engagement saw Petula topping the bill, accompanied by Joe Henderson at the piano. The week's programme also featured Tattersall with Jerry and Company, George Martin (comedian), Frank Cook, Will Carr, Alf Carlson, and Joan and Kav Ross, offering audiences a lively blend of music and mirth.

Of Petula's performance, The Lancaster Guardian wrote:

"Displaying a charm which has made her one of Britain's most popular entertainers, Petula Clark scores a 'hit' with Morecambe Winter Gardens audiences this week. Accompanied at the piano by Joe Henderson, Petula shows a rare freshness and vitality in her singing."

Archival materials include a newspaper advertisement from The Lancaster Guardian and Observer, now preserved in the Fan Archive Collection.

Shanklin Theatre, Isle of Wight - 29 July 1956

Presented under the title Sunday Serenade, this distinguished programme brought together a host of popular and pre-eminent personalities from radio and television. Heading the bill was Petula, whose appearance crowned an evening of varied and accomplished entertainment.

Also featured were Marjorie Jarvis, Doreen Lane, Dorothy Marno, Norma Thomas, Kay Laing, Billie Love, and Ronald Lewis, each contributing to the evening's charm and variety. The Stage reported a capacity audience, a testament to the programme's broad appeal and Petula's enduring popularity.

Images from the Fan Archive Collection include the programme cover and inner pages, offering a glimpse into a summer evening of seaside sophistication.

Brighton Hippodrome - 12 August 1956

A Charity Concert in aid of the JNF Charitable Trust was held at the Brighton Hippodrome, drawing a distinguished roster of performers and a generous audience in support of a worthy cause.

The evening was led by Norman Wisdom, Harry Secombe, and Larry Adler, with additional appearances by Beatrice Reading, Petula (accompanied by Joe "Mr. Piano" Henderson), Teddy Johnson and Pearl Carr, Robert Earl, Francis Day, Betty Miller, Desmond Lane, Bobby Limb, Leon Page, and Zena Barrie.

The programme offered a spirited blend of music and mirth, emblematic of post-war British variety at its most heartfelt and polished.

Regal Theatre, St. Leonards - 20 to 25 August 1956

Presented twice nightly at 6.15 and 8.30pm, this Full Variety Engagement was headlined by Petula, accompanied by Joe Henderson at the piano. The programme offered a lively and well-balanced bill, featuring Sylvia & Audrey, Lester Sharp & Iris, The Skating Meteors, Jackie Ross, Eddie Gordon (assisted by Nancy), Eve Valere, and Archie Glen.

Images from the Fan Archive Collection include inner pages of the programme and a newspaper advertisement from the Sussex Express, capturing the spirit of seaside entertainment in its late-summer flourish.

The Opera House, Blackpool - 2 September 1956

Produced and presented by Harold Fielding, this distinguished concert engagement featured a refined programme of musical and variety talent. Appearing were Erik Ogden and The Concert Orchestra, The Kordites, Joe "Mr. Piano" Henderson, Petula Clark, Rima Rudina, and Max Bygraves.

An inner page from the programme, now preserved in the Fan Archive Collection, proudly bills Petula as "Britain's Own," a fitting tribute to her growing stature as a beloved figure in British entertainment.

Opera House, Blackpool - 23 September 1956

Produced and presented by Harold Fielding, this distinguished concert engagement featured two performances at 6.20 and 8.15pm. The evening's programme included The Deep River Boys, Petula Clark, The Hedley Ward Trio, and Jack Simpson, with orchestral accompaniment by Erik Ogden and The Concert Orchestra.

Archival materials include a front-of-house poster and a newspaper advertisement from the Lancashire Evening Post, capturing the anticipation surrounding this late-season engagement at one of Blackpool's most esteemed venues.

Granada Theatre, Shrewsbury - 24 to 29 September 1956

Presented twice nightly at 6.15 and 8.35pm, Granada's Big Autumn Stage Show was produced and presented by Harold Fielding, offering audiences a week of spirited variety and refined entertainment.

The programme starred Norman Evans and Petula, accompanied at the piano by Jimmy Bailey, alongside The Granada Theatre Orchestra, The Five Skyliners, The Twelve John Tiller Girls, Johnny and Suma Lamonte, and Victor Seaforth.

Archival materials include a promotional flyer, programme cover, and inner pages, each capturing the glamour and gaiety of Shrewsbury's autumn season under the proscenium lights.

Hippodrome, Manchester - 15 to 20 October 1956

Presented twice daily at 6.25 and 8.40pm, this lively Variety Engagement was produced by Peter Webster, with Petula topping the bill in a programme brimming with charm and popular appeal.

Joining Petula were Jimmy James, Trio Vedette, The Sandow Sisters, Joy Harris, The Orchard Room Lovelies, Roy Castle, and Jimmy Clitheroe, each contributing to a spirited week of music, comedy, and spectacle.

A front-of-house poster from the engagement, now preserved in the Fan Archive Collection, offers a delightful glimpse into the promotional style of the era and the star-studded billing that drew Manchester audiences night after night.

Grand Opera House, Belfast - 18 to 23 February 1957

Presented twice nightly across six evenings, this Variety Engagement saw Petula topping the bill in a programme of musical charm and spirited entertainment. Supporting artistes included Ken Dodd, Joe "Mr. Piano" Henderson, Dennis Spicer with James Green, The King Pins, 2 Alexis, 3 Martinis, and 2 Jays, each contributing to a lively and well-balanced bill.

Of Petula's performance, the Northern Whig and Belfast Post remarked:

"Petula Clark, pert, pretty screen and television personality, did a 'rock' number in her act, as a breezy contrast to her 'sweet' places. Her interpretation of the latest brand of 'happy' music was fresh and bouncy, and the audience loved it."

The Belfast Telegraph noted:

"Dreamily, Miss Clark wooed her audience last night. Energetically, she set their feet a-tappin'. They thoroughly enjoyed both experiences."

And the Belfast Newsletter observed:

"Miss Clark, looking charming in a sequined gown of midnight blue, beguiled her audience with a selection of songs ranging from sentimental ballads to rock 'n roll, all presented in her inimitable vivacious manner."

An advertisement from the Belfast Telegraph, now preserved in the Fan Archive Collection, captures the glamour and anticipation surrounding this midwinter engagement at one of Northern Ireland's most esteemed venues.

Gaumont Theatre, Cheltenham - 11 to 16 March 1957

Presented twice nightly at 6.20 and 8.45pm, this All-Star Variety Bill featured Petula in the starring role, bringing her signature charm and vocal finesse to the Cheltenham stage.

Supporting artistes included the ever-popular Ken Dodd, the inimitable Mrs. Shufflewick, harmony ensemble The Kordites, and Petula's distinguished accompanist Joe "Mr. Piano" Henderson, each contributing to a week of spirited entertainment and theatrical delight.

Photo shows the souvenir programme cover.

Hippodrome, Birmingham - 1 to 6 April 1957

Presented twice nightly at 6.15 and 8.30pm, this All-Star Variety Engagement saw top-of-the-bill honours graciously shared between Petula and Ken Dodd, each bringing their distinctive flair to the Birmingham stage.

Supporting artistes included The Hippodrome Orchestra, Two Elites, Jeff Lenner, Joe "Mr. Piano" Henderson, Die Naukos, Three Deuces, and Brian Andro, contributing to a week of spirited entertainment and variety.

Of Petula's performance, The Birmingham Daily Post wrote:

"She sings with tremendous verve, radiates charm, and one is grateful to her.""

A newspaper advertisement from the Walsall Observer, now preserved in the Fan Archive Collection, captures the anticipation surrounding this springtime engagement at one of Britain's most celebrated provincial theatres.

Empire Theatre, Newcastle - 8 to 13 April 1957

Presented twice nightly at 6.15 and 8.30pm, this All-Star Variety Engagement saw top-of-the-bill honours graciously shared between Petula and Ken Dodd, each bringing their distinctive artistry to the Empire stage.

Supporting acts included The Empire Orchestra, Three Martinis, Donald B. Stuart, Brian Andro, Jimmy Edmundson, Three Deuces, and Petula's esteemed accompanist Joe "Mr. Piano" Henderson, offering audiences a week of spirited entertainment and musical delight.

Images from the Fan Archive Collection include a front-of-house poster and a signed programme bearing the autographs of Ken Dodd and Petula, capturing the glamour and camaraderie of this springtime engagement in Newcastle.

Empire Theatre, Glasgow - 15 to 20 April 1957

Presented twice nightly at 6.25 and 8.40pm, this All-Star Variety Engagement saw top-of-the-bill honours graciously shared between Petula and Ken Dodd, each bringing their distinctive charm and artistry to the Glasgow stage.

Supporting acts included the lively ensemble The Three Deuces, contributing to a week of spirited entertainment that blended music, comedy, and variety in true Empire tradition.

A newspaper advertisement from The Daily Record, captures the glamour and anticipation surrounding this springtime engagement in Scotland's cultural capital.

Hippodrome, Brighton - 22 to 27 April 1957

Presented twice nightly at 6.15 and 8.30pm, this All-Star Variety Engagement saw top-of-the-bill honours graciously shared between Petula and Ken Dodd, whose combined appeal drew enthusiastic audiences to Brighton's celebrated Hippodrome.

The supporting programme featured The Kordites, Joe "Mr. Piano" Henderson, Brian Andro, Patricia and Neil Del Rina, Donald B. Stuart, and Jeffrey Lenner, with musical accompaniment provided by The Hippodrome Orchestra under the distinguished direction of Sydney Sharpe.

Archival materials include the original programme and newspaper a advertisement from the Sussex Express and County Herald, capturing the spirit and splendour of this springtime engagement on the south coast.

Palace Theatre, Manchester - 20 to 25 May 1957

Presented twice nightly at 6.15 and 8.30pm, this All-Star Variety Engagement saw top-of-the-bill honours graciously shared between Petula and Ken Dodd, whose combined appeal drew enthusiastic audiences to Manchester's grand Palace Theatre.

The supporting programme featured Brian Andro, Jeffrey Lenner, Robert Earl, The Del Rinas, Dennis Spicer, Joe "Mr. Piano" Henderson, and Trio Rayros, offering a week of spirited entertainment and musical delight.

Image shows a newspaper advertisement from the Manchester Evening News.

De La Warr Pavilion, Bexhill-on-Sea - 9 June 1957

Presented under the title Sunday Serenade, this summer engagement starred Petula, whose radiant presence and musical versatility delighted audiences at the elegant De La Warr Pavilion.

Supporting artistes included Ruth Sylvestre, John Cartier, Nora Brightwell and Billy Cator-Smith, Felix Bowness, and Gate Eastley, contributing to a well-rounded evening of variety and charm.

Of Petula's performance, the Bexhill-on-Sea Observer wrote:

"Top of the bill Petula Clark projected her gay, refreshing personality out to the audience with accomplished ease."

Accompanied by Bert Whittam at the piano, she offered a captivating blend of sentimental ballads, topical favourites, and spirited numbers in the modern idiom. Notably, she performed "The Sky", a recent recording she remarked was "banned" by the B.B.C., a moment that added a touch of intrigue to an already engaging programme.

Image shows a newspaper advertisement from the Bexhill-on-Sea Observer.

The Capitol, Aberdeen – 8 to 13 July 1957

Presented under the banner of Harold Fielding's "Music for the Millions", this All-Star Variety Engagement brought a week of distinguished entertainment to Aberdeen's Capitol Theatre. Top-of-the-bill honours were shared between the beloved Norman Evans and Petula, making her Aberdeen debut, accompanied at the piano by Bert Whittam.

The supporting programme featured Cranford Smith, Snodgrass, Dru & Dijon, The Three Brittons, Victor Seaforth, and Johnny & Suma Lamonte, offering audiences a lively and well-balanced bill.

Of Petula's performance, the Aberdeen Evening Express wrote:

"Co-starring in the show is the lovely Petula Clark making her Aberdeen debut. Petula offers a particular thrill with her choice of songs she has made her speciality… including 'Some Enchanted Evening', 'The Sky', banned by the B.B.C. for reasons unknown, 'Singing the Blues', and her farewell number, 'At the End of the Day'."

The week began with a touch of theatrical tension: upon arrival in Aberdeen, Petula was informed that her luggage, including all her stage attire and musical scores, had been left behind in Glasgow. "What am I to do?" she asked officials. "All my clothes and music for the show are in the cases." Though reassured the items would arrive by train, the late hour left little time for rehearsal. "The band can hardly accompany me without running through the numbers," she noted with characteristic professionalism.

Photographs capture Petula signing autographs at Aberdeen Airport, and a warm reunion between Petula and Norman Evans at The Capitol, two stars at ease amidst the bustle of variety life.

Winter Gardens, Bournemouth - 22 to 27 July 1957

Presented twice nightly at 6.10 and 8.30pm, Harold Fielding's "Music for the Millions" brought a week of sparkling variety to the elegant Winter Gardens, with Petula Clark topping the bill in radiant form.

The supporting programme featured the comic duo Chic Murray and Maidie, master illusionist Al Koran, Cranfield Smith, Snodgrass, the ever-charming Billy ‘Uke' Scott, harmony ensemble The Blue Notes, and vocal group The Sonataires—each contributing to a lively and well-balanced bill of music, mirth, and magic.

This engagement marked a highlight of Bournemouth's summer season, with Petula's presence lending a touch of metropolitan glamour to the south coast's theatrical offerings. A promotional flyer from the Fan Archive Collection captures the glamour and anticipation surrounding this seaside engagement, offering a stylish glimpse into the billing.

The Pavilion, Torquay - 29 July to 3 August 1957

Presented twice nightly at 6.00 and 8.30pm, Harold Fielding's "Music for the Millions" brought a week of sparkling variety to the elegant Pavilion by the sea, with Petula Clark topping the bill in radiant form.

The supporting programme featured the comic duo Chic Murray and Maidie, master illusionist Al Koran, Cranfield Smith, Snodgrass, the ever-charming Billy 'Uke' Scott, harmony ensemble The Blue Notes, and the graceful Marie de Vere Trio, each contributing to a lively and well-balanced bill of music, mirth, and magic.

Archival materials include a promotional flyer, programme cover and inner pages, along with a newspaper advertisement from the Torquay Times, all capturing the glamour and anticipation of this summer engagement on the English Riviera.

Winter Gardens, Margate - 5 to 10 August 1957

Presented under the banner of Harold Fielding's "Music for the Millions", this All-Star Variety Engagement graced the Margate stage for six summer evenings, with Petula topping the bill in radiant form.

The supporting programme featured the comic duo Chic Murray and Maidie, master illusionist Al Koran, Cranfield Smith, Snodgrass, the ever-charming Billy 'Uke' Scott, harmony ensemble The Blue Notes, and the graceful pairing of Francois and Zandra. Musical accompaniment was provided by Leslie Wheeler and The Winter Gardens Orchestra, adding polish and poise to each performance.

A promotional flyer and newspaper advertisements from the East Kent Times and Broadstairs Mail, now preserved in the Fan Archive Collection, capture the glamour and anticipation surrounding this coastal engagement.

Opera House, Blackpool - 18 August 1957

Presented at 6.20 and 8.15pm, this All-Star Variety Engagement was produced by Harold Fielding, bringing a glittering evening of music and entertainment to Blackpool's grand Opera House.

The programme starred American rock 'n' roll sensation Charlie Gracie, alongside Petula, harmony ensemble The Kordites, and the delightful duo Harriott & Evans, each contributing to a spirited and stylish summer bill.

A newspaper advertisement from the Lancashire Evening Post, now preserved in the Fan Archive Collection, captures the glamour and anticipation surrounding this one-night engagement at one of Britain's most celebrated seaside venues.

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Pier Theatre, Llandudno – 19 August to 24 August 1957

Presented nightly at 8.00pm, with an additional Wednesday matinee at 5.45pm, this extended All-Star Variety Engagement brought a season of sparkling entertainment to the charming resort town of Llandudno, with Petula topping the bill in radiant form.

Supporting artistes included the comic duo Chic Murray and Maidie, master illusionist Al Koran, Canfield Smith, Snodgrass, the ever-charming Billy ‘Uke' Scott, harmony ensemble The Blue Notes, and the graceful pairing of Francis and Zandra, each contributing to a well-balanced programme of music, mirth, and magic.

A promotional flyer from the Fan Archive Collection captures the glamour and anticipation surrounding this seaside engagement, offering a stylish glimpse into the billing.

Winter Gardens, Bournemouth - 26 to 31 August 1957

Presented twice nightly at 6.10 and 8.30pm, this All-Star Variety Engagement brought a sparkling close to Bournemouth's summer season, with Petula topping the bill in radiant form.

The supporting programme featured the comic duo Chic Murray and Maidie, master illusionist Al Koran, Canfield Smith, Snodgrass, the ever-charming Billy 'Uke' Scott, harmony ensemble The Blue Notes, and vocal stylists The Sonataires, each contributing to a lively and well-balanced bill of music, mirth, and magic.

This engagement at the elegant Winter Gardens offered audiences a final flourish of seaside entertainment, with Petula's presence lending a touch of metropolitan glamour to the south coast stage. A promotional flyer from the Fan Archive Collection captures the glamour and anticipation surrounding this seaside engagement, offering a stylish glimpse into the billing.

Opera House, Blackpool - 6 October 1957

Presented for one night only, this All-Star Variety Bill, produced and presented by Harold Fielding, brought a distinguished evening of entertainment to Blackpool's grand Opera House.

The programme featured the internationally acclaimed Deep River Boys, Petula, and rising vocal star Ronnie Carroll, each offering their own brand of musical charm and stage presence to a packed house.

A newspaper advertisement from the Lancashire Evening Post, now preserved in the Fan Archive Collection, captures the anticipation and glamour surrounding this special autumn engagement at one of Britain's most celebrated seaside venues.

Gaumont Cinema, Lewisham - 3 January 1958

A glittering Midnight Matinee was staged in aid of the Mayor of Lewisham's Disaster Fund, drawing together an exceptional array of talent for a noble cause.

The star-studded bill featured Richard Attenborough, Winifred Atwell, Ian Carmichael, Petula Clark, the Bob Court Skiffle Group, Vera Day, Ted Gatty, Edmund Hockridge, Elizabeth Larner, Dilys Laye, Dennis Lotis, Vera Lynn, Freddie Mills, Nicolette Roeg, The Lady Ratlings, Anne Shelton, Joan Sims, the Beryl Stott Singers, Jimmy Thompson, Ian Wallace, Digby Wolfe, and The Zanies, alongside the cast of the ITA Jubilee Show.

Adding continental flair were the showgirls and nudes of the Folies Bergere, while musical accompaniment was provided by Harold Collins and the Prince of Wales Theatrnne Orchestra. The evening was produced by Dennis Egan.

As reported in the Lewisham Borough News, "Petula Clark came in quietly, slipped through the backstage crowd, and went on to stop the show."

A newspaper advertisement from the Sydenham Gazette, now preserved in the Fan Archive Collection, captures the anticipation and splendour of this charitable engagement.

Palace Theatre, London - 20 January to 16 February 1958

Presented twice nightly at 6.15 and 8.45pm, Bernard Delfont's Frankie Vaughan Season brought a glittering array of talent to the heart of the West End. Headlining the supporting variety bill was the Petula, joined by Harold Collins and The Orchestra, the precision dance ensemble The John Tiller Girls, acrobatic marvel Ugo Frediani, vocal favourites The King Brothers, comedy duo Tony Fayne and David Evans, distinguished actor Bernard Miles, prima ballerina Nadia Nerina, harmony group The Skylons, and comic entertainer Harry Worth.

Archival materials include a promotional flyer, programme, ticket stub, and a striking night-time photograph of the Palace Theatre . Also available is a full-size front of house poster charming backstage images of Petula with Joe "Mr. Piano" Henderson in her dressing room.

Odeon, Southend-on-Sea – 31 March to 5 April 1958

Presented nightly at 7.30pm, with additional Saturday performances at 5.15 and 8.00pm, this All-Star Variety Bill was staged under the direction of Harold Fielding, headlined by the ever-popular Jimmy Edwards.

The programme also featured Petula, Harriott & Evans, ventriloquist Daisy May assisted by Saveen, the precision ensemble Twelve Joan Davis Dancers, Allen Bros & June, Judy Bruce, and vocal group The Skylons.

While Petula was billed to appear, a report in Melody Maker noted that she was unable to open on Monday due to a throat ailment, which had also caused her to cancel several engagements the previous week. Her father, Leslie Clark, remarked: "Pet contracted the infection shortly after returning from her recent holiday in Austria. It's nothing serious, but the doctor strongly advises us not to take any chances." Though it was initially uncertain whether she would return, there is suggestion that Petula resumed for the final performances of the week.

This engagement, though marked by her brief absence, remains a notable entry in her 1958 performance calendar.

Dorchester Hotel, London - 14 May 1958

A distinguished luncheon hosted by The Variety Club of Great Britain saw a glittering assembly of musical and theatrical talent gathered in honour of their contributions to the entertainment world.

Among the guests of honour were Petula Mantovani, Stanley Black, Johnnie Ray, Anne Shelton, Alma Cogan, Laurie London, and Russ Hamilton, each celebrated for their artistry and public appeal.

Photographs from The Stage and The Daily Mirror capture a spirited moment as the company, led by George Elrick, joined together in a rousing rendition of "There's No Business Like Show Business." Pictured left to right: Elrick conducting, followed by Petula Clark, Laurie London, Anne Shelton, Johnnie Ray, Alma Cogan, and Russ Hamilton, all in fine voice and high spirits.

Harringay Arena, London - 31 May 1958

The grand Starlight Dance brought together over one hundred luminaries from the world of entertainment for an evening of glamour and gaiety at Harringay Arena.

Among the featured performers were Petula, Jackie Dennis, Lorrae Desmond, Lonnie Donegan, Dennis Lotis, Vera Lynn, Gary Miller, Matt Monro, The Mudlarks, Marion Ryan, and The Stargazers, each contributing to a dazzling programme that celebrated the very best of British popular music and variety.

A newspaper advertisement from the North London Press and Daily Express captured the anticipation surrounding the event, while a backstage photograph, taken by Harry Hammond, shows Petula with Lorrae Desmond, a charming glimpse behind the curtain of this star-studded affair.

Hippodrome, Brighton - 9 to 14 June 1958

Presented twice nightly at 6.15 and 8.30pm, this All-Star Variety Engagement saw Petula take top billing in a sparkling week of entertainment on the south coast.

The supporting programme featured the Hippodrome Orchestra, musical duo The McKennas, multi-talented Roy Castle, acrobatic pair Agnette & Silvio, illusionist Peter Dulay, organist Cherry Wainer, comedian Frank Berry, and harmony ensemble Frank Boys Trio, a lively and well-balanced bill offering music, mirth, and variety in equal measure.

Archival materials include a newspaper advertisement from the West Sussex Gazette and the official programme, now preserved in the Fan Archive Collection.

Leas Cliff Hall, Folkestone - 15 June 1958

A sparkling variety engagement at the elegant Leas Cliff Hall saw Petula take top billing, proudly announced as "The One and Only - In Person."

She was joined by an all-star supporting company in a lively evening of music and entertainment, drawing appreciative audiences to the Kent coast for this one-night-only affair.

A newspaper advertisement from the Kentish Express, now preserved in the Fan Archive Collection, captures the glamour and anticipation surrounding Petula's appearance at this celebrated venue.

The Pier Pavilion, Llandudno - 23 to 28 June 1958

Presented under the banner of Harold Fielding's Music for the Millions, this week-long engagement at the elegant Pier Pavilion saw Petula topping the bill, accompanied by Bert Whitham at the piano.

The supporting programme featured a well-balanced variety of talent, including ventriloquist Arthur Worsley, vocalist Johnny Stewart, the ever-popular Joe "Mr. Piano" Henderson, comic entertainer Sid Plummer, dance duo Nick Lundon & Pam, illusionist Victor Seaforth, and musical ensemble Les Mallini.

Archival materials include a promotional flyer and the inner page of the official programme, now preserved in the Fan Archive Collection, capturing the spirit of this seaside engagement in full summer swing.

The Winter Gardens, Bournemouth - 7 to 12 July 1958

Under the banner of Harold Fielding's Music for the Millions, this summer engagement at the elegant Winter Gardens featured a distinguished bill led by Petula and celebrated stage actor Bernard Miles.

The supporting programme offered a delightful variety of entertainment, including vocalist Johnny Stewart, ventriloquist Arthur Worsley, pianist Joe "Mr. Piano" Henderson, musical ensemble Les Mallini, dance duo Nick Lundon & Pam, and illusionist Victor Seaforth.

A promotional flyer from the engagement, now preserved in the Fan Archive Collection, captures the charm and anticipation of this seaside concert series.

South Parade Pier, Southsea - 14 to 19 July 1958

As part of Harold Fielding's Music for the Millions, this summer engagement at the charming South Parade Pier featured a distinguished bill led by Petula and esteemed stage actor Bernard Miles.

The supporting programme offered a lively mix of talent, including vocalist Johnny Stewart, ventriloquist Arthur Worsley, pianist Joe "Mr. Piano" Henderson, musical ensemble Les Mallini, dance duo Nick Lundon & Pam, and illusionist Victor Seaforth.

The Portsmouth Evening News praised Petula's performance in glowing terms:

"Heading the bill of this star-studded show is Chichester's Petula Clark. Whether singing the 'rock' type 'pop' or the more serious, sentimental ballad, 'Pet' shows that she is rightly at the top of the show business tree. And how the audience loved her!"

A newspaper advertisement from the Bognor Regis Observer, now preserved in the Fan Archive Collection, captures the excitement surrounding this seaside engagement.

Pier Pavilion, Llandudno - 21 to 26 July 1958

As part of Harold Fielding's Music for the Millions, this summer engagement at the picturesque Pier Pavilion featured a distinguished bill led by Petula and acclaimed actor Bernard Miles.

The supporting programme offered a delightful mix of variety entertainment, including ventriloquist Arthur Worsley, comedy duo Ken Morris and Joan Savage, pianist Joe "Mr. Piano" Henderson, musical ensemble Les Mallini, illusionist Victor Seaforth, and dance partners Nick Lundon and Pam.

Promotional materials from the North Wales Weekly News, including a flyer and newspaper advertisement, capture the charm and anticipation surrounding this elegant coastal engagement.

The Capitol, Aberdeen - 4 to 9 August 1958

As part of Harold Fielding's Music for the Millions, this week-long engagement at Aberdeen's Capitol Theatre featured Petula at the top of the bill, supported by a distinguished company of variety performers. The programme included Ken Morris & Joan Savage, vocalist Johnny Stewart, ventriloquist Arthur Worsley, pianist Joe "Mr. Piano" Henderson, musical ensemble Les Mallini, dance duo Nick Lundon & Pam, and illusionist Victor Seaforth.

A delightful anecdote from the Aberdeen Evening Express recounts young Crawford Logan seated beside Petula on a flight from the South. Unaware of her identity, he chatted amiably throughout the journey. Upon arrival at Aberdeen Airport, Petula gave him a warm parting hug. The young lad was thrilled when she told him: "If you're at the show at the Capitol on Wednesday, come backstage afterwards and see me." It was, by all accounts, the greatest thrill of his young life.

Archival materials include a promotional flyer, newspaper advertisement, and a charming photograph of Crawford and Petula, all preserved in the Fan Archive Collection.

The Winter Gardens, Bournemouth - 11 to 16 August 1958

Presented twice nightly at 6.10 and 8.30pm, this elegant engagement formed part of Harold Fielding's Music for the Millions series, with Petula and the distinguished Bernard Miles sharing top billing.

The supporting company offered a delightful blend of variety, featuring ventriloquist Arthur Worsley, comedy duo Ken Morris and Joan Savage, pianist Joe "Mr. Piano" Henderson, musical ensemble Les Mallini, illusionist Victor Seaforth, and dance partners Nick Lundon and Pam.

A production flyer from the engagement, now preserved in the Fan Archive Collection, captures the charm and anticipation of this refined seaside entertainment.

Esplanade Theatre, Bognor Regis - 17 August 1958

A refined evening of music and entertainment at the Esplanade Theatre featured the incomparable Petula Clark, accompanied by Bert Whittam at the piano, with orchestral support from Irving Kaye and His Orchestra.

Image shows a newspaper advertisement from the Bognor Regis Observer.

Winter Gardens, Margate - 18 to 23 August 1958

As part of Harold Fielding's Music for the Millions, this summer engagement at the elegant Winter Gardens featured Petula and the distinguished Bernard Miles at the top of the bill.

The supporting company offered a lively and well-balanced programme, including ventriloquist Arthur Worsley, comedy duo Ken Morris and Joan Savage, pianist Joe "Mr. Piano" Henderson, musical ensemble Les Mallini, illusionist Victor Seaforth, dance partners Nick Lundon and Pam, and Leslie Wheeler with the Winter Gardens Orchestra.

The East Kent Times and Mail praised Petula's performance, noting:

"Glamorous Petula Clark, consistently popular since her early appearances as a child star, makes a hit with her charming, zestful interpretation of songs of the moment."

A production flyer from the engagement, now preserved in the Fan Archive Collection, captures the spirit and sophistication of this seaside concert series.

Royal Albert Hall, London - 11 January 1959

Presented by New Musical Express, the 1958–1959 Annual Poll-Winners All-Star Concert brought together a glittering array of popular entertainers for a night of musical celebration at the iconic Royal Albert Hall.

The programme featured performances by The John Barry Seven, The King Brothers, Petula, Joe "Mr. Piano" Henderson, Marty Wilde, The Mudlarks, Cliff Richard, The Chris Barber Jazz Band (with Ottilie Patterson), Alma Cogan, Lonnie Donegan and his Skiffle Group, Frankie Vaughan, and Ted Heath and his Music. The evening was deftly compered by the ever-affable Pete Murray.

Archival images include the programme cover and inner pages, now preserved in the Fan Archive Collection, capturing the spirit and splendour of this landmark event in British popular music.

Regal Theatre, Gloucester - 16 to 21 February 1959

A lively week of entertainment unfolded at the Regal Theatre, where Petula took top billing in a spirited variety engagement, supported by an accomplished company of performers.

The programme featured the multi-talented Roy Castle, comedy duo Joe Baker and Jack Douglas, harmonica virtuoso Tommy Reilly, entertainers Clarkson & Leslie, acrobatic pair Rondart & Jean, and musical trio The Three Brittons, a well-rounded bill offering music, mirth, and variety in true British style.

A newspaper advertisement from the Evesham Standard & West Midland Observer, now preserved in the Fan Archive Collection, captures the anticipation and charm of this regional engagement.

The Globe, Stockton - 2 to 7 March 1959

Presented twice nightly at 6.15 and 8.30pm, this spirited engagement at The Globe Theatre featured the celebrated Marino Marini Quartet and Petula, proudly billed as "Britain's Own."

A robust supporting company rounded out the programme, offering audiences a lively and well-balanced evening of music and variety in true northern style.

Image shows a newspaper advertisement from the Northern Daily Mail.

Hippodrome, Birmingham - 9 to 14 March 1959

A spirited week of variety unfolded at the Birmingham Hippodrome, where Petula shared top billing with the celebrated Marino Marini Quartet, supported by a distinguished company of performers.

The programme featured the Hippodrome Orchestra, comedy duo McAndrews & Mills, harmonica virtuoso Tommy Reilly, ballroom pair Allan Kemble & Christine, and entertainer Joe Black, a well-balanced bill offering music, mirth, and continental flair.

Of Petula's performance, the Birmingham Daily Post remarked:

"Petula Clark is a notable exception. She had the appealing warmth of sincerity in her voice last night, and her performance was stamped with the confidence of gesture and stage presence of the accomplished professional artist, singularly lacking in so many other young singers."

The review also praised her "amusing comedy interpretation of a prim Hyde Park corner orator warning young women of the dangers of men," which earned her a warm ovation from the audience.

Archival images include the inner pages of the programme and a newspaper advert from The Birmingham Post, now preserved in the Fan Archive Collection, capturing the elegance and energy of this metropolitan engagement.

Gaumont, Southampton - 16 to 21 March 1959

Presented twice nightly at 6.00 and 8.30pm, this spirited variety engagement was staged under the auspices of Lew and Leslie Grade, bringing a distinguished company of performers to the Gaumont Theatre.

The bill was led by David Whitfield, Petula, and Roy Castle, each delivering performances that blended charm, musicality, and stagecraft. Supporting acts included comedy duo Baker and Douglas, harmonica virtuoso Tommy Reilly, ballroom pair Tony Gilbert and Sylvia, and entertainers Jean and Peter Barbour, a well-rounded programme offering music, mirth, and variety in true British fashion.

A newspaper advertisement from the Portsmouth Evening News, now preserved in the Fan Archive Collection, captures the anticipation and glamour of this south coast engagement.

Empire Pool, Wembley - 22 March 1959

Presented by the Daily Express, this distinguished charity engagement at Empire Pool, Wembley was held in aid of building a holiday home for children with disabilities. The programme, titled The Record Star Show, assembled a glittering array of Britain's finest entertainers.

Performances were given by Shirley Bassey, Max Bygraves, Roy Castle, Petula, Alma Cogan, Lonnie Donegan, Robert Earl, Joe Henderson, The Kaye Sisters, Dennis Lotis, Vera Lynn, Humphrey Lyttelton and His Band, Peter Sellers, Anne Shelton, and Dickie Valentine.

Musical direction was entrusted to five of Britain's most celebrated bandleaders: Reg Owen, Norrie Paramor, Woolf Phillips, Cyril Stapleton, and Ron Goodwin, ensuring a programme of exceptional polish and variety.

Archival materials include a newspaper advertisement from the Somerset Guardian and a photograph of Petula performing at the event, now preserved in the Fan Archive Collection.

Hippodrome, Brighton - 30 March to 4 April 1959

Presented twice nightly at 6.15 and 8.30pm, this spring engagement at the Brighton Hippodrome offered a polished evening of variety, headlined by the distinguished Edmund Hockridge and the Petula, proudly billed as "Britain's Own."

The supporting company featured the Hippodrome Orchestra under the direction of Sydney Sharpe, ballroom duo Tony Gilbert & Sylvia, harmonica virtuoso Tommy Reilly, entertainer Rene Strange, comedy pairing Joe Baker & Jack Douglas, and vocalist Jackie Ross, a well-balanced programme of music, comedy, and light entertainment in true British fashion.

Archival materials include a newspaper advertisement from the Worthing Herald, along with the original programme and ticket stub, now preserved in the Fan Archive Collection, capturing the charm and anticipation of this seaside engagement.

Villa Marina Royal Hall, Douglas - 28 June 1959

A refined evening of entertainment unfolded at the Villa Marina Royal Hall, where the "Popular Concert" featured Petula at the top of the bill, proudly billed as Radio and T.V. Vocal Star. She was joined by the distinguished Sid Phillips and His Band, offering a programme of musical sophistication and popular appeal.

Archival images include the inner pages of the original programme, now preserved in the Fan Archive Collection, capturing the elegance and anticipation of this coastal engagement.

The Capitol, Aberdeen - 20 to 25 July 1959

As part of Harold Fielding's Music for the Millions, this summer engagement at The Capitol featured the ever-affable Vic Oliver and Petula in starring roles, supported by a spirited company of variety performers.

The bill included Stan White, vocalist Vanda Vale, impressionist Anthony Verner, comic turn George "The Big Nose" Meaton, vocal group The Chequers, actor Godfrey James, the acrobatic Ety Van Veen Duo, and dance partners Karen & Sheila Roy, a lively and well-balanced programme of music, comedy, and spectacle.

Despite nursing a cold, Petula's performance drew warm praise from the Aberdeen Evening Express, which noted:

"Fighting a bad cold, Petula Clark manages to bring a surprising amount of quality and warmth to her singing, running through several of her earlier successes, as well as more recent numbers.""

Petula was accompanied at the piano by Ralph Dollimore, whose sensitive playing lent further polish to her set.

Archival materials include a flyer and newspaper advertisement from the Aberdeen Evening Express, now preserved in the Fan Archive Collection, capturing the elegance and anticipation of this northern engagement.

The Pier Pavilion, Llandudno - 9 August 1959

Presented by Harold Fielding, this one-night variety engagement at the elegant Pier Pavilion featured Petula at the top of the bill, supported by a distinguished company of musical entertainers.

The evening's programme included the celebrated pianist Semprini, organist Cherry Wainer, vocalist Mike Preston, and saxophonist Red Price, a well-balanced bill offering refinement, rhythm, and popular appeal.

Image shows newspaper advertisement from the North Wales Weekly News.

The Opera House, Blackpool - 16 August 1959

Presented in two evening performances at 6.20 and 8.15, this distinguished variety engagement at the Opera House, Blackpool was staged under the banner of Harold Fielding, featuring a stellar bill led by Shirley Bassey and Petula, the latter accompanied with finesse by Ralph Dollimore at the piano.

The supporting programme offered a polished blend of musical and variety entertainment, including Owen Walters and the Concert Orchestra, vocal harmony group The Kentones, pianist Joe "Mr. Piano" Henderson, crooner Gary Miller, and illusionist Carlo, a well-rounded evening of glamour, melody, and stagecraft.

The Opera House, Blackpool - 9 September 1959

Presented in two evening performances at 6.20 and 8.15, this distinguished variety engagement at the Opera House, Blackpool was staged under the direction of Harold Fielding, and featured a stellar bill led by Shirley Bassey and Petula, the latter accompanied with finesse by Ralph Dollimore at the piano.

The supporting programme included Owen Walters and the Concert Orchestra, vocal harmony group The Kentones, entertainer Ian Stewart, popular vocalist Ronnie Carroll, and illusionist Carlo, a well-rounded evening of music, charm, and stagecraft.

Archival images include the inner pages of the original programme, now preserved in the Fan Archive Collection, capturing the glamour and anticipation of this celebrated seaside engagement.

Cool for Cats Tour - September 1959 Presented across a series of Granada Theatres, this lively touring engagement brought a stylish blend of popular music and variety to audiences throughout the South and the Midlands.

Performances were held at:

Granada, Kingston - 22 September

Granada, Dartford - 23 September

Granada, Rugby - 27 September

Granada, Aylesbury - 28 September

Granada, Maidstone - 29 September

Granada, Bedford - 30 September

The bill starred Petula, Tony Brent, Don Lang, Alan Fields, and Humphrey Lyttelton and His Band, with proceedings deftly compered by the affable Kent Walton.

Archival materials include the original programme, a newspaper advertisement, and a charming backstage photograph of Petula taken during the Dartford engagement, each now preserved in the Fan Archive Collection, capturing the glamour and camaraderie of this spirited concert tour.

Chesford Grange Hotel Ballroom, Kenilworth - 10 October 1959

In the gracious setting of the Chesford Grange Hotel Ballroom, Petula made a personal appearance accompanied by Harry Engleman and His Orchestra, offering guests an evening of musical charm and sophistication.

A newspaper advertisement from the Coventry Evening Telegraph, now preserved in the Fan Archive Collection, captures the anticipation surrounding this elegant engagement in the heart of Warwickshire.

Brighton Palladium - 11 October 1959

Presented in two performances at 5.00 and 8.00pm, Sunday Night at the Brighton Palladium offered a spirited evening of variety under the banner of Van Taylor Productions.

Headlining the bill was Lonnie Donegan and His Skiffle Group, bringing their trademark energy to the seaside stage. Supporting acts included Petula, accompanied by Ralph Dollimore and the distinguished Ted Heath and His Music, who also performed in their own right. The evening's proceedings were deftly compered by Roger Moffat, ensuring a programme of polish, rhythm, and popular appeal.

Archival materials include a newspaper advertisement from the Herald Chronicle and the inner pages of the souvenir programme, now preserved in the Fan Archive Collection, capturing the glamour and anticipation of this coastal engagement.

Empire Pool, Wembley - 17 October 1959

In aid of S.O.S., the Starlight Dance was graciously presented by The Daily Express, drawing together a glittering constellation of Britain's finest entertainers for an evening of music and merriment at the grand Empire Pool, Wembley.

The programme featured performances by Bernard Bresslaw, Ronnie Carroll, Roy Castle, Petula, Alma Cogan, The Dallas Boys, Craig Douglas, Lonnie Donegan, Dennis Lotis, Vera Lynn, Bob Monkhouse, The Mudlarks, Anne Shelton, Dickie Valentine, and Shani Wallis.

Musical accompaniment was provided by eleven of the nation's most celebrated bands, including Acker Bilk, Ken Colyer, Joe Loss, Humphrey Lyttelton, Mick Mulligan, Andre Rico, Malcolm Mitchell Trio, Peter Roy, Cyril Stapleton, Reg Wale, and Frank Weir, ensuring a programme of exceptional variety and polish.

A newspaper advertisement from the Observer and Gazette, now preserved in the Fan Archive Collection, captures the grandeur and anticipation of this charitable gala.

To explore Petula's theatrical stage appearance Humpty Dumpty (December 1959), visit our Theatre section.

The Fan Archive Collection preserves a wide-ranging collection of materials documenting Petula's variety and concert engagements throughout the 1950s. Among its holdings are photographs, period posters, promotional flyers, and press clippings drawn from newspapers and magazines of the day, each offering a vivid glimpse into the era’s musical landscape and Petula's enduring appeal and popularity.

Questions? Drop us an email: info@petula-archives.co.uk

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Researched, written, compiled and curated by Steven Warner & Tim Hutton. Selected graphics by Ray Leaning @ Muse Fine Art & Design.

Images and ephemera from the Petula Fan Archive Collection. Banner image licensed via Alamy. Some of the content featured on this page is shared under the fair dealing rules of UK copyright law, for purposes such as review, commentary, reporting, archiving, and linking. We've included selected materials with care and wherever possible, we've acknowledged and credited the original copyright holders, with sincere appreciation for their work and legacy.